10/30/2018 at 15:20 • Filed to: WOTW, War of the Worlds, Newspaper, Radio, Media, HG Wells, Orson Welles | ![]() | ![]() |
Eighty years ago today, Orson Welle s !!!error: Indecipherable SUB-paragraph formatting!!! his famous (some might say infamous) radio !!!error: Indecipherable SUB-paragraph formatting!!! of HG Wells’ !!!error: Indecipherable SUB-paragraph formatting!!! . Prefaced by the Mercury Theater ’s theme music and a brief note that the show was an adaptation of Well s’ story, the program proceeded over the next half hour to first interrupt dance music with “news bulletins ” that increasingly portray an invasion of the US by Martians, before utterly destroying the Army, Air Force, and the city of New York . By the time of the first intermission, when it was repeated that this was a dramatization being done by the Mercury , people around the country were panicked, convinced aliens were wreaking havoc from NY to LA.
Or so the papers at the time would have had you believe:
Editorialists chastised the radio industry for allowing that to happen. The response may have reflected newspaper publishers’ fears that radio, to which they had lost some of the advertising revenue that was scarce enough during the Great Depression , would render them obsolete. In “The War of the Worlds,” they saw an opportunity to cast aspersions on the newer medium: “The nation as a whole continues to face the danger of incomplete, misunderstood news over a medium which has yet to prove that it is competent to perform the news job,” wrote Editor & Publisher , the newspaper industry’s trade journal.
William Randolph Hearst ’s papers called on broadcasters to police themselves, lest the government step in, as Iowa Senator !!!error: Indecipherable SUB-paragraph formatting!!! proposed a bill that would have required all programming to be reviewed by the FCC prior to broadcast (he never actually introduced it). Others blamed the radio audience for its credulity. Noting that any intelligent listener would have realized the broadcast was fictional, the Chicago Tribune opined, “it would be more tactful to say that some members of the radio audience are a trifle retarded mentally, and that many a program is prepared for their consumption.” Other newspapers took pains to note that anxious listeners had called their offices to learn whether Martians were really attacking.
Cartoonists even got in on the act:
The true extent of the panic was less drastic:
hundreds of thousands were frightened, but calls evidence of people taking action based on their fear “scant” and “anecdotal”. Indeed, contemporary news articles indicate that police were swamped with hundreds of calls in numerous locations, but stories of people doing anything more than calling authorities involved mostly only small groups. Such stories were often reported by people who were panicking themselves.
Later investigations found much of the alleged panicked responses to have been exaggerated or mistaken. Cantril’s researchers found that contrary to what had been claimed, no admissions for shock were made at a Newark hospital during the broadcast; hospitals in New York City similarly reported no spike in admissions that night. A few suicide attempts seem to have been prevented when friends or family intervened, but no record of a successful one exists. A Washington Post claim that a man died of a heart attack brought on by listening to the program could not be verified. One woman filed a lawsuit against CBS, but it was soon dismissed.
The FCC also received letters from the public that advised against taking reprisals. Singer !!!error: Indecipherable SUB-paragraph formatting!!! urged the commission not to overreact, as “censorship would retard radio immeasurably.” The FCC not only chose not to punish Welles or CBS but also barred complaints about “The War of the Worlds” from being brought up during license renewals. “ Janet Jackson ’s 2004 ‘ wardrobe malfunction ’ remains far more significant in the history of broadcast regulation than Orson Welles’ trickery,” wrote media historians Jefferson Pooley and Michael Socolow.
Still, it’s entirely possible to listen to a recording of the broadcast, and even knowing what it is, get caught up in the spirit of the story. I myself like to listen to it (and/or !!!error: Indecipherable SUB-paragraph formatting!!! ) once or twice a year, usually on October 30th.
![]() 10/30/2018 at 15:28 |
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Noting that any intelligent listener would have realized the broadcast was fictional, the Chicago Tribune opined, “it would be more tactful to say that some members of the radio audience are a trifle retarded mentally, and that many a program is prepared for their consumption.”
History repeats itself, if only in a different medium.
All this reminds me that I should read that book again. It’s always been one of my favorites.
Nice write up. Thanks for posting.
![]() 10/30/2018 at 15:28 |
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And now the right wing is literally use made up stories of invasion to scare their base.
![]() 10/30/2018 at 15:29 |
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The Jeff Wayne mix (on vinyl) was an absolute staple in our household back in the 70s/80s. My dad was already a huge WOTW fan from hearing rebroadcasts on the radio in the 50s, and that album was pretty amazing. Lots of good liner art. I think it might have been my first exposure to the idea of alien invasion and genocide.
In retrospect, my dad was kind of crappy about child-appropriate filters.
![]() 10/30/2018 at 15:44 |
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There’s local theatre here that's doing a WOTW listening event tonight. I really wanted to go, but I've got parental responsibilities. My girlfriend is going though.
10/30/2018 at 16:52 |
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“The nation as a whole continues to face the danger of incomplete, misunderstood news over a medium which has yet to prove that it is competent to perform the news job,”
Are they talking about newspapers, radio, TV, cable or the Internet?
![]() 10/30/2018 at 16:55 |
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Yes.
![]() 10/30/2018 at 19:00 |
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I’ve been finding myself listening to Radio Classics on Sirius XM more and more on road trips.
A lot of the Golden Age stuff holds up really well, I kind of wish more new content was being developed, imagine a radio adaptation of the X-Files, could work.
![]() 10/30/2018 at 20:05 |
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What is fascinating is how the fear of the fcc coming in is what kept the standards of the network news . Until cable came along and the could then shirk off responsibility.
10/30/2018 at 22:50 |
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So
me of my fondest childhood memories are of road trips with my dad’s family down to Cooper’s Rock in WV; that’s where I was first introduced to the
Wayne WOTW
and Pink Floyd.
![]() 10/31/2018 at 09:27 |
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Nice...never been there, but a couple of rock climbing friends of mine have been. Crazy sandstone uplift formations around there. Perfect for creepy, ethereal music :D
![]() 11/14/2018 at 16:07 |
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I remember when Wells starred in the movie about this radio event. If you can find it, I recommend it. It dramatizes behind the scenes stuff, like how they get the effect for the space ship opening by screwing a ball jar lid in a toilet bowl.
When I was a kid, I heard about the wide spread panic thing and thought that was so cool. Later, I learned that it was a minor effect confined to a limited area of the Eastern listening area. It still impressed upon me the poser of the media to shape opinions and behavior.